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	<title>veniceclimatechangepavilion</title>
	<link>https://veniceclimatechangepavilion.cargo.site</link>
	<description>veniceclimatechangepavilion</description>
	<pubDate>Wed, 23 Oct 2024 15:58:53 +0000</pubDate>
	<generator>https://veniceclimatechangepavilion.cargo.site</generator>
	<language>en</language>
	
		
	<item>
		<title>Front page copy</title>
				
		<link>https://veniceclimatechangepavilion.cargo.site/Front-page-copy</link>

		<pubDate>Sun, 19 Nov 2023 13:56:06 +0000</pubDate>

		<dc:creator>veniceclimatechangepavilion</dc:creator>

		<guid isPermaLink="true">https://veniceclimatechangepavilion.cargo.site/Front-page-copy</guid>

		<description>
	

∞

prototypes 1 planetLaguna di Venezia, Italy, Planet EarthMAY 2021 - TILL THE CHANGEAbout this Work 


From August 2024 member of EU4Ocean PlatformTOOLKIT EMERGENZA ALLUVIONE QUI

	V E N I C E&#38;nbsp; &#38;nbsp; &#38;nbsp; ︎ 
C L I M A T E&#38;nbsp; &#38;nbsp; ︎ 
C H A N G E&#38;nbsp; &#38;nbsp; &#38;nbsp; 
︎

 
P A V I L I O N&#38;nbsp; ︎

 &#38;nbsp;


Urban diffused pavilion on climate change data in Venice // Ephemeral Practices and Transdisciplinary Ecologies for Ocean&#38;amp;Lagoon Literacy // Weathering ArtScience for the amphibian future&#38;nbsp;


An ephemeral diffused pavilion spread into the lagoon, prototypes available to everybody, anytime. Because if “Venice is our Pavilion,the Lagoon is our home”. Unveiling ephemeral and invisible layers of an eco-systemic lagoon and not an ego-systemic city.

The spontaneous answer to the question how will we live together,starting from the awareness of the hidden climate data we live within in a porous ecosystem.&#38;nbsp;
Un padiglione urbano diffuso, accessibile da chiunque, in ogni parte della città. “Venezia è il nostro padiglione”, per sottolineare il legame intrinseco che ci lega alla fragile città e alla sua bellezza. 3 prototipi AR, 3 sculture-architetture digitali, create sui dati del climate change in laguna e i suoi indicatori, per creare attraverso la consapevolezza della sua fragilità nuovi paesaggi per Venezia.&#38;nbsp;
SELECTED AS MARITIME FORUM EU - “Arts and Culture relating to the Ocean Literacy” Award 2022 /YOUTH4OCEAN EU4Oceanmore infos here
The Pavilion
is actively involved and flag bearer of challenge 10 of UNOceanDecade, and knowledge sharing’s&#38;nbsp;SDG 13 and 14 as part of UN SDG 2030,
in order to actively leave a positive trace on a cultural, ecological and urban level.
</description>
		
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		<title>A NEON MANIFESTO</title>
				
		<link>https://veniceclimatechangepavilion.cargo.site/A-NEON-MANIFESTO</link>

		<pubDate>Sat, 20 Apr 2024 14:19:30 +0000</pubDate>

		<dc:creator>veniceclimatechangepavilion</dc:creator>

		<guid isPermaLink="true">https://veniceclimatechangepavilion.cargo.site/A-NEON-MANIFESTO</guid>

		<description>&#38;nbsp;
HUMAN, YOU ARE INVITED TO LISTEN&#38;nbsp; // FLOATING LIGHTHOUSE FOR DARK TIMES // THREE LULLABIES FOR THE ELEPHANTS IN THE LAGOON //


🌊- 21 APRIL 2024 - FROM 5H30 PM - CANALI DI VENEZIA -🌊
&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/55da42f680918d298b541a25a8775935320683012080e1f81a757e85511bda89/_DSC3438.jpg" data-mid="209945712" border="0"  src="https://freight.cargo.site/w/1000/i/55da42f680918d298b541a25a8775935320683012080e1f81a757e85511bda89/_DSC3438.jpg" /&#62;

 

---------------


















 



A NEON MANIFESTO AND
THREE LULLABIES FOR THE BIENNALOCENE LAGOON








Above the surface


-ACT I-Veniceland
 



From 1981
to 2022 the city of Venice lost 86,234 inhabitants (of which 29,728 on the
mainland and 57,046 between the historic city and the coast). In 2023 the
number of bed-places for tourists (50.016) has officially overcome the number
of residents of the city (49.211).



Floating on the surface



-ACT II-
 Tesvalidet

Tesfalidet
Tesfom, the Eritrean migrant who kept in his wallet two poems written in
Tigrinya today present in some poetic anthologies for schools. Tesfom was
compared by Treccani to the great poets of the Mediterranean, in the anthology from
Homer to Kavafis. He died 2 hours after arriving on the coast of Posillipo (IT),
weighting no more than 18 kgs.






Below the Surface


-ACT III -
 The Blue King




The blue king crab, also known as "blue crab" or "blue king", is a decapod crustacean (i.e. with ten legs).It is a native species of the Atlantic coasts of the American continent. The specimen started extending its realm to the Lagoon, exponentially: in 2022 the total quantities of blue crab caught stood at more than 95.6 tonnes, the +930% compared to the previous year that should already have represented an alarm bell. The Callinectes Sapidus is considered one of the 100 most invasive alien species in the Mediterranean.





 







 






 





Do you really think that these birds, that crab, these palaces are gonna be remembered?

Who do you think will survive the tide of times, at the end of the world as we have known it?

-.......

As long as creation stays alive,

it hauls around its vertebrae.

A wave will play, as if its rise

were the spine of the century 

we can’t see.

O.Mandelstam, 1923

—--

We navigate in unknown waters of time, floating bodies of water,

Far from the eyes,bodies everywhere, everywhen..

—----

Yet, maybe, while we fill our cups and ears, and years with superficial noise, humans left are nowhere.

—-----

I tried to imagine of being a firefly, in a very noisy and overcrowded city floating on water. 

I recalled the currents of stories passing through the canals, these liquid veins that makes us so similar to our ancient cities.

—---

Please, I just ask you not to scream out loud and to stay quiet, nobody wants you to end up in prison or beaten up for your idealism.

—---

On a rowing boat, to place “us” as humans, floating everywhere, and going anywhere again. There is no place for “foreigners”, hence, we float in the Blue King realm.

—----

Thinking about invisibility, and a human being bringing to the lagoon a sonic-firefly-neon almost seems to disappear while holding it in his hand...

—---

Your irises are mirrored in those of the herons, don't worry, you won't be locked out of the opening (again).

—------

We can make concerts out of the numbers of the disasters, it will become a symphony of waves for these old stones, 

bridges and saltmarshes. The tide, will wash everything away, again and again, till the sun dries this planet out.

—

Or maybe it's just a pretext to bring a mobile lighthouse in dark times that floats through the canals, like an embolus that unblocks high-voltage ideas and slime.

---

If you stay alive for two more seconds,

leave one for yourself and another

for the world.

F.Arminio,2021



---

Our common ancestors, below the sea surface are disappearing. Our
fellow specimens are disappearing swallowed by waves in the sea. Our cities are
flooded away.



 



The only sound of disappearance is deafening silence. Underwater.
Below and above the surface.



Clouds reflects over the water surfaces; choirs are flowing above
and below. Then, we need new lighthouses. Then we need lullabies. I want to
sing with Barramunda and Tesvalidet, talking about common ancestors and pietas.



 

I tried to imagine of being a firefly, in a very noisy and overcrowded
city floating on water. I recalled the currents of stories passing through the
canals, these liquid veins that makes us so similar to our ancient cities.





On a rowing boat, to place “us” as humans, floating everywhere, and
going anywhere again. There is no place for foreigners, Mrs. Biennale, hence,
we float.



 




Weatherscaping Exercise BEGINS
 



-----



the oarsmen
begin to row, the boat leaves the shore



 



In the darkest times, people cannot be afraid to express the need of
beauty, peace and the foundation that makes us “humans”. We cannot live in
silence, because silence now, in The Lagoon, in the Mediterranean, on Planet
Earth is deafening. 



 



It is nonsense thinking of “Foreigners” in a planet where toxic
clouds, water scarcity, biodiversity loss and war know no boundaries. There are
no foreigners since we are 8 billion of humans, everywhere.



 



Yet, maybe, while we fill our cups and ears, and years with
superficial noise, humans left are nowhere.



For this, we float. 



In times of war, we reclaim life.



In times of flooding capitalism and mass tourism, we reclaim a house
to inhabit.



We reclaim a lagoon, where lullabies take place of deafening
silence.



 



While we stay silent, death takes place. At sea, over and below the
surface.



We float, we are turbulences, with no borders and identity extending
in the lagoon, as human beings.



 



Our planetary issues have no borders, like clouds, like water, like
pollutants and toxic fumes.



Extinction and death speak with no borders.



 



Then, we are the sound of nowhere, and everywhere. We float. We are
humans.



 



-Humans Nowhere-



----



the oarsmen begin to row, the boat leaves
the shore, and again and again…








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---------Pensando
all’invisibilità, 
e a un essere umano che porta in laguna 
neon-lucciola-sonici, sembra quasi sparire 
mentre lo tiene in mano… (A.E.)O forse è solo un pretesto 
per portare in tempi bui una faro mobile 
che galleggia per i canali, 
come un embolo che sblocca idee e limo 
ad alto voltaggio.

Thinking
about invisibility,
and a human being bringinging to the lagoon
a sonic-firefly-neon almost seems to disappear
while holding it in his hand...Or maybe it's just a pretext
to bring a mobile lighthouse in dark times
that floats through the canals,
like an embolus that unblocks high-voltage
 ideas and slime.
















&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/cd7eb3e6921b248fc74bfdd6008c8fd8f421a66d75966087075a4d4ece51bbb8/_DSC3561.jpg" data-mid="209945801" border="0"  src="https://freight.cargo.site/w/1000/i/cd7eb3e6921b248fc74bfdd6008c8fd8f421a66d75966087075a4d4ece51bbb8/_DSC3561.jpg" /&#62;

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HUMANS NOWHERE FLOATED THANKS TO:

Federico Mantovan (voga)
David Angeli (voga)
Rachele Cominella (lights, logistics, electronics)
Jacopo Zanessi (director, filmmaker)
Diletta De Bortoli (photography)
IUS (soundscape I “Humans Nowhere”)
Eleonora Preziosi (mapping &#38;amp; logistics support)Giovanni Dinello (l’adattatore salvavita)Artur Elsenaar (feynmanian/hacking courage)

&#60;img width="2000" height="3000" width_o="2000" height_o="3000" data-src="https://freight.cargo.site/t/original/i/92a940a1eda4c35f72e826bad0bcdf3fa67df3043e35cc4a39885786d3159efd/_DSC3029.jpg" data-mid="211136990" border="0"  src="https://freight.cargo.site/w/1000/i/92a940a1eda4c35f72e826bad0bcdf3fa67df3043e35cc4a39885786d3159efd/_DSC3029.jpg" /&#62;
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		<title>Fishes Do Not Exist Yet They Sing in My Dreams</title>
				
		<link>https://veniceclimatechangepavilion.cargo.site/Fishes-Do-Not-Exist-Yet-They-Sing-in-My-Dreams</link>

		<pubDate>Fri, 12 Apr 2024 16:48:46 +0000</pubDate>

		<dc:creator>veniceclimatechangepavilion</dc:creator>

		<guid isPermaLink="true">https://veniceclimatechangepavilion.cargo.site/Fishes-Do-Not-Exist-Yet-They-Sing-in-My-Dreams</guid>

		<description>&#38;nbsp;
HUMAN, YOU ARE INVITED TO LISTEN&#38;nbsp; //&#38;nbsp;

📢

 UNDERWATER CHOIRS THAT ESCAPES OUR EARS 

📢&#38;nbsp;

//




“FISHES DO NOT EXIST YET THEY SING IN MY DREAMS”





Installed at TALK CEC (Bruxelles) for “Mer&#38;amp;Ocean” Exhibition




The soundscape you are listening is a composition made of the recorded sound of fish
specimen. This lullaby on undisclosed sounds is meant to put us closer to our wrong pre- assumptions: fishes are everything but mute ((“mute as a fish”)), but also the term “fish”,&#38;nbsp; scientifically speaking (as a taxonomy), is meaningless.

“Fish do not exist yet they sing in my dreams” is a sound wave travel in time: by retracing the

story of the noun “Fish”, to the sound of the “slow” Barramunda (Neoceratodus forsteri), the

living fossil fish that has not changed his physiognomy in 380 million years, now in the red list

of IUCN Threated Species.

As sound travels below the barriers of human-classification, terminology and time, this sonic

landscape immerse you in a chorus that is constantly happening, below our eyes and ears,

since before our appearance on planet Earth.





















Transcription
of Record:



“Fish” is an umbrella
term for a mostly aquatic vertebrate that is not a mammal, bird, or anything
else. Putting together these vertebrates belonging to different and not closely
related groups would be like grouping together all flying vertebrates, such as
birds, bats, some species of squirrels and so on, defining them in the same way
simply because they fly. The degree of relatedness between a shark and a
lamprey is no closer than that between a camel and a salamander.



We commonly call more
than half of the species of vertebrate animals existing on Earth today
"fish", and we do so because we identify relatively common
characteristics between the various species: they seem so similar to us that
they fall into the same large group. In our imagination a fish has a shape that
is more or less always the same, narrow and elongated, with scales and fins for
swimming in the water.



Most of the thousands
of species of these animals have a well-defined skeleton, an easily
distinguishable skull and jaws. They also have fins supported by jointed bony
elements ("rays") and for this reason they are called
"ray-finned fish" or actinopterygians, from the ancient Greek πτέρυξ
(wing, fin) and from actino-, meaning equipped with rays.



In the long history of
evolution, these animals have undergone important modifications with clearly
separate histories, such that they cannot all be classified with the same
definition as "fish". To get a better idea, you need to go back in
time about 500 million years, when these animals began to populate the large
bodies of water on Earth. They were the first to develop a backbone and a
skull, a process that took a long time, if compared for example to the
existence of our species which dates back only a hundred thousand years ago.



Even today there are
some species that remind us in a certain sense of where we come from. The
barramunda (Neoceratodus forsteri) is typical of an area of Queensland in Australia and is defined as a
"living fossil", because its appearance and characteristics have not
changed for at least 380 million years. This means that even today we can
observe what a species looked like which in his case contributed to the
appearance of amphibians.



 



Specimen
Sounds:



Alectis
ciliaris (African pompano);



 Albula Vulpes ;



Alosa pseudoharengus (Alewife)



Sound Names: Cough; Mouthbubble; Snitch



Fish and Mowbray (1970)



Kaschner (2012)



 



Amphichthys cryptocentrus (Bocon toadfish)



Sound Names: Boop; Grunt; Swoop



Notes: See Fig. 2 in Staaterman et al. (2018) 



 



Anguilla
rostrata(American
eel)



Sound Names: Click; Cluck; Squeak



Fish and Mowbray (1970)



Kaschner (2012)



 



Anoplopoma fimbria (Sablefish)



Sound Names: Rasp; Tick



Notes: See Fig. 2 in Riera et al. (2020) 



 



(Neoceratodus forsteri), IUCN Red List of Threatened Species, Versione 2020.2



Anoplopoma fimbria (Sablefish)



Sound Names: Rasp; Tick



Notes: See Fig. 2 in Riera et al. (2020) 



 



Aplodinotus grunniens(Freshwater drum)



Sound Names: Chorus; Drum Chorus



Rountree and Juanes (2017)



 



Aplodinotus grunniens (Freshwater drum)



Sound Name: Drum



Notes: Example of an isolated 2.2 s
disturbance/agonistic call from Tivoli Bay on the Hudson River. 



See Fig. 2c in Rountree &#38;amp; Juanes (2017).



 



 



Argyrosomus japonicus(Japanese meagre)



Sound Name: Unnamed



Parsons et al. (2013)



 


&#60;img width="720" height="707" width_o="720" height_o="707" data-src="https://freight.cargo.site/t/original/i/439a442a02ed839c3d45002bb71101053d730004ee2d36d4c7cfe82bc72ccab7/2024_04_12_13.35.20.jpg" data-mid="208835108" border="0"  src="https://freight.cargo.site/w/720/i/439a442a02ed839c3d45002bb71101053d730004ee2d36d4c7cfe82bc72ccab7/2024_04_12_13.35.20.jpg" /&#62;

 



Sources:



FishBase
Research Repository



“Fish”,
not-existing Taxonomy, Encyclopaedia Britannica



 I pesci non esistono,
Lulu Miller,2020,Add Editore





 













</description>
		
	</item>
		
		
	<item>
		<title>Climate Entity 002 / CE002</title>
				
		<link>https://veniceclimatechangepavilion.cargo.site/Climate-Entity-002-CE002</link>

		<pubDate>Fri, 15 Mar 2024 12:32:28 +0000</pubDate>

		<dc:creator>veniceclimatechangepavilion</dc:creator>

		<guid isPermaLink="true">https://veniceclimatechangepavilion.cargo.site/Climate-Entity-002-CE002</guid>

		<description>&#38;nbsp;
HUMAN, YOU ARE INVITED TO COMPOSE


CLIMATE ENTITY 002“YOU ARE A BUTTERFLY UNTIL YOU DON’T FLAP YOUR WINGS”

Floated at:
TU Delft Library,Studium Generale’s &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;
Climate Action ProgrammeDelft(NL) Oct 2023CAAOSSS Concert“No Sounds Unturned”Amare,ConservatoriumzaalDen Haag (NL)Dec 2023

 EU4Ocean Days&#38;nbsp;“Ocean Literacy Island”
Sparks Bruxelles
Bruxelles (BE)March 2024
CLIMATHON 23
Climathon Venice “Arts&#38;amp;Climate”Accademia Belle Arti Venezia,Venice(IT) Oct 2023 &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; ...and floating to unknown seas and sonic waves in the future!








SUGGESTIONS/INSTRUCTIONS:Dip your fingers into the water, in two different glasses, starting from the red wire.What you are hearing are field recordings of lost landscapes, ecosystems and specimens that have been lost in the last 10 years due to climate change.You are composing a third new landscape, out of ghosts, echoes of lost ecosystems, and our continuous exchange of particles with the world.We are spectators of present ruins/future ghosts and composers of present ghosts/future ruins.The strange relationship that we wave with nature, is expressed in a composition of poetic insights that flashes while we see the landscapes we inhabit slowly disappearing under our eyes, and while we compose a third sonic landscape made of echoed ghosts, trough a liquid interface.









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Taking inspiration from the axiom butterfly/tornado, the installation aims to amplify and making resonance of our micro scaled actions and their potential reverberated macro effect. While we scroll our feeds, while we wave and flap our wings thinking that we are unnoticed, unrelenting processes of slow violence are making our ecosystems fade away.“In chaos theory, the butterfly effect is the sensitive dependence on initial conditions in which a small change in one state of a deterministic nonlinear system can result in large differences in a later state.The term is closely associated with the work of mathematician and meteorologist Edward Norton Lorenz. He noted that the butterfly effect is derived from the metaphorical example of the details of a tornado (the exact time of formation, the exact path taken) being influenced by minor perturbations such as a distant butterfly flapping its wings several weeks earlier. Lorenz originally used a seagull causing a storm but was persuaded to make it more poetic with the use of a butterfly and tornado by 1972.”







 &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="1550" height="910" width_o="1550" height_o="910" data-src="https://freight.cargo.site/t/original/i/25e9976d3e836c0ad5762555a5d1cda3525faba222d0e57bf4beeab1cc0662de/Immagine-2023-10-25-171638.png" data-mid="206848098" border="0"  src="https://freight.cargo.site/w/1000/i/25e9976d3e836c0ad5762555a5d1cda3525faba222d0e57bf4beeab1cc0662de/Immagine-2023-10-25-171638.png" /&#62;



Dip your fingers into the water, in two different glasses, starting from the red wire.The Playtron device connects every object that conducts electricity (in this case, different vases/bowls/glasses containing water). By touching water, field recordings of disappeared landscapes are triggered.The composition will be ever changing, a collection of broken fragments found from Radio Aporee’s library of field recordings all over the world. Every track is linked to a landscape (forests, lakes, shores, land) that disappeared in the last 10 years, due to climate change. I collected these field recordings as a non-linear and broken archive of sonic fragments without order, as real landscape are disappearing faster than their digital traces.This dispirited and disrupted archive, collecting field recordings of ghost landscapes, is an unfinished business that retraces a slow violence (R.Nixon,2011) that lays under our eyes, and yet do not escapes our ears.The Playtron acts like an electronic octopus that makes all these fragments of lost echoes available to human touch. The water samples are a liquid keyboard between our body GRS (Galvanic Skin Response) and the hidden sonic traces.We are composers of present ruins/future ghosts and spectators of present ghosts/future ruins.

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</description>
		
	</item>
		
		
	<item>
		<title>Confluence of European Water Bodies 24</title>
				
		<link>https://veniceclimatechangepavilion.cargo.site/Confluence-of-European-Water-Bodies-24</link>

		<pubDate>Mon, 07 Oct 2024 17:51:53 +0000</pubDate>

		<dc:creator>veniceclimatechangepavilion</dc:creator>

		<guid isPermaLink="true">https://veniceclimatechangepavilion.cargo.site/Confluence-of-European-Water-Bodies-24</guid>

		<description>&#38;nbsp;
HUMAN, YOU ARE INVITED&#38;nbsp;
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CONFLUENCE OF EUROPEAN WATER BODIES 2024 - Venice Lagoon 3-6 Oct 24MANIFESTO

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The Water Bodies Orchestra
This digital design project is a musical and embodied way to unlock the digital sound archive of European waters. Through interactive group experiences, the human and non-human voices of the water bodies will come together in a performative moment.

The Water Bodies Orchestra has be rehearsed and performed for the first time at the opening ceremony of the Confluence of European Water Bodies, 3 October 2024 inside San Lorenzo Church at Ocean Space Venice, in collaboration with Venice Climate Change Pavilion.

For the concept development and production, the Embassy of the North Sea, on behalf of the Confluence of European Water Bodies, works with director Steye Hallema. Harpo ‘t Hart (Embassy of the North Sea) is involved as sound artist and curator of the project. The soundscapes are recorded by the participating water bodies of Europe. The first orchestra has been co-curated and designed with Letizia Artioli (Venice Climate Change Pavilion).

This project is funded by Creative Industries Fund NL.




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Representation of WaterWater is vital for all life on Earth, yet the voices of water are rarely heard in political decisionmaking. Current laws and policies cannot stop the loss of biodiversity or the poisoning of
soils, lands, waters and air, because they are grounded in the fiction of the natural world as
property or ‘resources’ for human desires. Born out of growing water challenges and
demands for water democracy worldwide, the Confluence of European Water Bodies sprang
from a collective pursuit of a deeper understanding of the ‘Rights of Nature’ in Europe. As a
growing community of care and concern, the Confluence of European Water Bodies aims to
foster new dialogues and relationships with water. As a learning system for water diplomacy,
new strategies for effectively representing water in Europe's cultural, legal and political
realms are being explored, rehearsed and advocated. Read our manifesto on our new
website.



Participating Water BodiesThe 2024 edition welcomes a wide variety of water bodies: Baltic Sea, Doggerbank, Drina,
Genova waters, Klarälven, Loire, Mar Menor, Mediterranean Sea, North Sea, Ouse, Oslo
Fjord, Pek, Piave, Reuss, Rhône, Snæfellsjökul, Spree, Tara, Tejo, Vättern, Venice Lagoon,
Viskan, Vistula, Wattenmeer and Zenne.
Representing the Whanganui River in New Zealand, the world's first ecosystem with legal
personhood, Maori elder Erena Rhose will share insights on the Maori worldview in which the
river is recognised as a living ancestor. Also representatives from the saltwater lagoon the
Mar Menor will participate. Grass roots action groups managed to enforce the installation of a
new law declaring the Mar Menor a legal entity in 2022. 


https://water-bodies.eu/water-bodies/

&#60;img width="5982" height="3988" width_o="5982" height_o="3988" data-src="https://freight.cargo.site/t/original/i/255ac117e759b138f534f90745a37c05054f9dd0af1bf3d351c52c3c421753e9/NM-0111.jpg" data-mid="219335813" border="0"  src="https://freight.cargo.site/w/1000/i/255ac117e759b138f534f90745a37c05054f9dd0af1bf3d351c52c3c421753e9/NM-0111.jpg" /&#62;
Photo Credits: Nicolò Miana</description>
		
	</item>
		
		
	<item>
		<title>Biodiversity Pavilion </title>
				
		<link>https://veniceclimatechangepavilion.cargo.site/Biodiversity-Pavilion</link>

		<pubDate>Sun, 18 Sep 2022 13:18:15 +0000</pubDate>

		<dc:creator>veniceclimatechangepavilion</dc:creator>

		<guid isPermaLink="true">https://veniceclimatechangepavilion.cargo.site/Biodiversity-Pavilion</guid>

		<description>&#38;nbsp;
HUMAN, YOU ARE INVITED&#38;nbsp;
imagine:// 1ST OCTOBER 2022 / Chiostro di SS.Cosma e Damiano, La Giudecca // VENEZIA (IT)// Planet Earth


&#60;img width="6193" height="5135" width_o="6193" height_o="5135" data-src="https://freight.cargo.site/t/original/i/4fde035a8b9a66d858301a9dbe64e190f3a352cd4add69a6a7e1052833242222/Senza-titolo-1-copia.jpg" data-mid="153348321" border="0" data-scale="47" src="https://freight.cargo.site/w/1000/i/4fde035a8b9a66d858301a9dbe64e190f3a352cd4add69a6a7e1052833242222/Senza-titolo-1-copia.jpg" /&#62;&#38;nbsp;&#60;img width="6352" height="5104" width_o="6352" height_o="5104" data-src="https://freight.cargo.site/t/original/i/a6b5358b7c22b6ad8690f5c7d765613ec514b660feb20073f86b3674f373f8b0/ghghghghg.jpg" data-mid="154086157" border="0" data-scale="48" src="https://freight.cargo.site/w/1000/i/a6b5358b7c22b6ad8690f5c7d765613ec514b660feb20073f86b3674f373f8b0/ghghghghg.jpg" /&#62;


“È inutile stabilire se V. sia da classificare tra le città felici o tra quelle infelici. Non è in queste due specie che ha senso dividere le città, ma in altre due: quelle che continuano attraverso gli anni e le mutazioni a dare la loro forma ai desideri e quelle in cui i desideri o riescono a cancellare la città o ne sono cancellati.”(I.Calvino, da “Le città invisibili”).

Un atlante/mostra che raccoglie i frammenti della vita lagunare invisibile. Un diario attraverso la bellezza dell’ecosistema Venezia in cui coabitiamo .


“It is useless to establish whether V. is to be classified among the happy cities or among the unhappy ones. It is not in these two species that it makes sense to divide cities, but in two others: those that continue through the years and mutations to give their shape to desires and those in which desires either manage to cancel the city or are canceled from it."(I.Calvino, from “Invisible Cities”).

Here you will find fragments of the Lagoon’s Invisible Life. A diary through the beauty of the ecosystem-Venice we want to be part of.&#38;nbsp;



Un padiglione diffuso per scoprire la vita silenziosa con cui co-abitiamo la laguna.

Un atlante/mostra che raccoglie i frammenti della vita lagunare invisibile. Un diario attraverso la bellezza dell’ecosistema Venezia in cui coabitiamo .

“Con i suoi 550 km2 di superficie, la Laguna di Venezia è uno dei più importanti ecosistemi di transizione del Mediterraneo.Negli ultimi anni la Laguna è stata devastata dal turismo di massa, dall’aumento del traffico navale,inquinamento, pesca distruttiva e siamo spettatori della perdita di circa il 45% della sua biodiversità in termini di esemplari.“(fonte: Rapporto Legambiente 2021)

Su scala globale, siamo spettatori della sesta estinzione di massa nella storia del pianeta Terra. La ricerca ha evidenziato che entro l'anno 1500 tra il 7,5 e il 13 per cento dei 2 milioni di specie conosciute sarebbero scomparse dal nostro pianeta. "Si tratta di un numero enorme: significa che non esistono più dalle 150.000 alle 260.000 specie". (fonte: Recensioni Biologiche CPS)

Venezia è attualmente la città che tutti conosciamo per la sua bellezza manifesta “fuori dall'acqua”. Ma la bellezza veneziana è attualmente iscritta in un sistema stratificato e complesso: la Laguna di Venezia. Siamo, come cittadini, parte del sistema urbano. Ma, come ESSERI UMANI, siamo consapevoli dell'ecosistema lagunare di cui facciamo parte?

Il padiglione della biodiversità è una mostra con opere AR (Temporary Atmospheres,Kamel Ghabte,MediaCoeli), soundscape immersivo (Anne Wichmann aka She’s Excited), performance (Ludovica Ballarin) e foto/video (M.Battezzati/M.Pirisi/E.Pizzutto).

Il progetto newyorkese MakeUsVisible arriva a Venezia per mostrare e dare voce alla biodiversità con cui condividiamo l'ecosistema Lagunare.
La mostra è curata dal Venice Climate Change Pavilion (Youth4Ocean Award 2022) e dal progetto newyorkese MakeUsVisible (fondato da XRE Ensemble) per mostrare la connessione fra interspecie, e allo stesso tempo la drastica riduzione di biodiversità a cui stiamo assistendo negli ultimi anni.

Il progetto, ospitato da Venice Calls nel Chiostro di SS.Cosma e Damiano, si inscrive nell’iniziativa Europea “EMDEuropeanMaritimeDayinmycountry” 2022 e nell'agenda 2030 con gli obiettivi n.11 (Sustainable cities) e n.4 (Underwater Life).
L'obiettivo del progetto MakeUsVisible (NYC) a VENEZIA è quello di dare voce attraverso l'arte digitale agli esemplari in via di estinzione della laguna.La metodologia di un padiglione digitale diffuso diffuso in città e lo strumento di AR per la visualizzazione dei dati scientifici trova le sue radici nel Progetto Venice Climate Change Pavilion avviato a maggio 2021.Per iniziare ad agire come ESSERI ECO-SISTEMICI e non EGO-SISTEMICI.

“Mettere in discussione le premesse apparentemente indiscutibili del nostro modo di vivere è 
il più urgente dei servizi che dobbiamo ai nostri simili e a noi stessi”. /Z.Baumann/




SCAN THE QR CODE TO EXPLORE THE ARTWORKS:
&#38;nbsp;

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THE ARTISTS:

🌊 SOUNDSCAPE

ANNE WICHMANN aka SHE’S&#38;nbsp; EXCITED (NY/Germany) feat. Clara Francesca (NY/AU)


She’s Excited! is the award-winning Indie Electronic music producer and powerhouse performer Anne Wichmann who is based in New York City and Munich. Her work as composer and sound artist is about empowerment and making space for the union of the opposites so that both sadness and beauty can unfold. Anne had the idea for #MakeUsVisible in November 2021 and started it in NYC with her artist and curatorial collective XRE. She has played stages and festivals like Theatron, Muffathalle, MONDO NYC, DigitalAnalog Festival, Female:Pressure Festival at NuBlu, Ars Electronica Festival, Street Live Festival and more. (Artist website)
Clara Francesca, is an award-winning artist, director, and speech coach with a passion for unlocking the individual's authentic heart-voice-connection: investigating co-existence in a diverse world. She explores this by integrating immersive theatrical practices in collaboration with musicians, scientists and digital artists. Clara holds a BA in Laws &#38;amp; Biomedical Sciences from Monash University, meditatively sung at the NYC Hayden Planetarium, and is a member of NYC’s SITI Company’s Inaugural Conservatory Alumni. (Artist website)

🌊AR
KAMEL GHABTE (NY)


Kamel Ghabte is a versatile digital artist who develops My DIGITAL FOOD, different tools &#38;amp; programmes revolving around real time digital interactivity. He’s a consultant &#38;amp; composer of electronic music &#38;amp; an instructor in digital audio &#38;amp; digital interactivity. Kamel is a certified Apple pro. His work revolves around artistic language, computer science &#38;amp; audio &#38;amp; visual content. His questioning focuses on the processes of artistic exchange &#38;amp; the answers he gives are related to retranscription.(Artist website)

🌊AR

TEMPORARY ATMOSPHERES (NYC/UIO)




By Daniel Cevallos Andrade,&#38;nbsp; Architect, MSc in Architectural Communication by Technical Superior School of Architecture of Madrid,&#38;nbsp; multidisciplinary artist, research, musician, and co-founder of Temporary Atmospheres, interactive architecture, and digital art studio based in NYC &#38;amp; UIO, His works have been presented in many&#38;nbsp; international exhibitions, conferences, awards, and academic journals such as Queens-Museum 2018, Shenzhen Bi-City Biennale 2019, ArsElectronica 2020, Lightbox Creative Code Festival, Contemporary&#38;nbsp; Venice 2021, Digital Art Month Paris, MMMAD Festival, MAB 2021 Amsterdam. Currently lead artist of Temporary Atmospheres, research, experimental and artistic lab, focused on the intersection of new&#38;nbsp; technologies with human interaction, raising awareness of the danger and the potential to the implementation thereof in the hyper-city. Since the field of speculation he could find a gap to introduce&#38;nbsp; artistically, artworks, that reflect-critic the collaborative and participatory process in the develop of the hyper-city, avoiding the tyranny and totalitarianism of governments and industries which try to&#38;nbsp; rule the dynamic and behavior of contemporary societies.

(Artist Website)

&#38;nbsp;🌊PHOTOGRAPHY
Marco Battezzati (Artist Ig)
Mirko Pirisi (Artist Website)
Elsa Pizzutto (Artist Website)





PHOTOGALLERY 01.10.2022



&#60;img width="4961" height="3307" width_o="4961" height_o="3307" data-src="https://freight.cargo.site/t/original/i/0ceee89dd9e2b8c6d7bfdab2e54353620d27e127c369527c9b26049697ea0f31/_MG_2026-copia.jpg" data-mid="163863914" border="0"  src="https://freight.cargo.site/w/1000/i/0ceee89dd9e2b8c6d7bfdab2e54353620d27e127c369527c9b26049697ea0f31/_MG_2026-copia.jpg" /&#62;
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THE CURATORS //MAIN PARTNERS🐟

Venice Calls
🐟
XRE Ensamble🐟

Europe Maritime Day

🐟

Youth4Ocean Forum






🐟



A very special thanks to Francesca Guarnotta, Anne Wichmann,Clara Francesca Pagone,Ludovica Ballarin, Maria Lizcano,Valentina Lovat for making this possible. The event has been official part of Europe Maritime Day 

#EMDinmycountry initiative as a project for ocean literacy at the crossover of art&#38;amp;science. The event has been possible thanks to VeniceCalls and their amazing disponibility to host and be part of the event in their space in Giudecca, Chiostro di SS.Cosma e Damiano.MakeUsVisible x Venice Edition has extended the 

#makeusvisible initiative to the non-human part of our cities. A very special thanks to 
XRE Ensemble for connecting New York to Venice through the power of art and eco-systemic view of the world.&#38;nbsp;




&#60;img width="590" height="590" width_o="590" height_o="590" data-src="https://freight.cargo.site/t/original/i/45c51d610476bfe74f40ccaf09ce1e95d67c29d3b5dc0a163c50915fbc39529d/Venice-Calls-Logo-copia-b.png" data-mid="163872106" border="0" data-scale="28" src="https://freight.cargo.site/w/590/i/45c51d610476bfe74f40ccaf09ce1e95d67c29d3b5dc0a163c50915fbc39529d/Venice-Calls-Logo-copia-b.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#60;img width="2716" height="2228" width_o="2716" height_o="2228" data-src="https://freight.cargo.site/t/original/i/621e9b27a89724f09758dff655ed0550407909ce9b825d7984b443e0269839dc/IMC---THEMATIC-04-1.png" data-mid="163871944" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/621e9b27a89724f09758dff655ed0550407909ce9b825d7984b443e0269839dc/IMC---THEMATIC-04-1.png" /&#62; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="1057" height="257" width_o="1057" height_o="257" data-src="https://freight.cargo.site/t/original/i/9957cb4bacf063ad9877b31ff4979f19dde67615e8d2f8555fadf05f4f209b39/label-2-EU_youth4ocean-forum_72ppi_RGB-1.png" data-mid="163872007" border="0" data-scale="20" src="https://freight.cargo.site/w/1000/i/9957cb4bacf063ad9877b31ff4979f19dde67615e8d2f8555fadf05f4f209b39/label-2-EU_youth4ocean-forum_72ppi_RGB-1.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp;&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/c3b627dd057511c3a1ac5866120c0582144737a62dee9d1cf595e718b771d89d/extended_reality_ensemble_3Dyu5pZmugHnYZLhq.png" data-mid="163872647" border="0" data-scale="16" src="https://freight.cargo.site/w/1000/i/c3b627dd057511c3a1ac5866120c0582144737a62dee9d1cf595e718b771d89d/extended_reality_ensemble_3Dyu5pZmugHnYZLhq.png" /&#62;
Website Backgrounds Photo credits: Marco Battezzati, Mirko Pirisi
</description>
		
	</item>
		
		
	<item>
		<title>Climathon 23 </title>
				
		<link>https://veniceclimatechangepavilion.cargo.site/Climathon-23</link>

		<pubDate>Sun, 19 Nov 2023 13:29:43 +0000</pubDate>

		<dc:creator>veniceclimatechangepavilion</dc:creator>

		<guid isPermaLink="true">https://veniceclimatechangepavilion.cargo.site/Climathon-23</guid>

		<description>&#38;nbsp;
HUMAN, YOU ARE INVITED&#38;nbsp;
imagine:// 28-29 October 2023 / CLIMATHON / Accademia delle Belle Arti,Fondamenta Zattere // VENEZIA (IT)// Planet Earth


(ENG) Every year EIT CLIMATE-KIC promotes a 24-hour hackathon launching a challenge to all cities in the world to find solutions to climate change.


The #Climathon is a global event that takes place in various cities around the world and focuses on innovation and sustainability to address the challenges of climate change. It is a marathon of sustainable ideas and solutions in which participants work together to develop projects that can help mitigate the effects of climate change and promote a more sustainable lifestyle.🌊 This year's challenge: How arts and new media can be actors of change and awareness of the Lagoon’s complexity?




The Venice Climate Change Pavilion made CE002, the Climate Entity 002 “You are a Butterfly until you don't flap your wings”, as a tool available to participants and all guests, human and otherwise, to compose a third soundscape composed of the echoes of landscapes that have disappeared in the last 10 years due to climate change.This type of data physicalization is one of the experimental way to make human beings experience the ongoing “slow-violence”(Nixon,2013) that our ears cannot perceive. While we live in cities during a day/week/month time-scale, entire ecosystems and landcsapes disappears under our eyes. This more-than-human design aims to make participants experience data in an unexpected and knowledge-transfer methodology, through a collaborative aesthetic approach (Funk, 2019).&#38;nbsp;







(ITA) Ogni anno EIT CLIMATE-KIC promuove un hackathon di 24 ore lanciando una sfida a tutte le città del mondo per trovare soluzioni ai cambiamenti climatici.


 &#38;nbsp; &#38;nbsp;&#38;nbsp;


Il #Climathon è un evento globale che si svolge in varie città di tutto il mondo e si concentra sull'innovazione e la sostenibilità per affrontare le sfide legate al cambiamento climatico. Si tratta di una maratona di idee e soluzioni sostenibili in cui i partecipanti lavorano insieme per sviluppare progetti che possano contribuire a mitigare gli effetti del cambiamento climatico e promuovere uno stile di vita più sostenibile.🌊 La sfida di quest'anno: 𝘊𝘰𝘮𝘦 𝘱𝘰𝘴𝘴𝘪𝘢𝘮𝘰 𝘶𝘴𝘢𝘳𝘦 𝘭𝘦 𝘢𝘳𝘵𝘪 𝘦 𝘭𝘦 𝘱𝘳𝘰𝘧𝘦𝘴𝘴𝘪𝘰𝘯𝘪 𝘱𝘦𝘳 𝘧𝘢𝘳 𝘦𝘮𝘦𝘳𝘨𝘦𝘳𝘦 𝘭𝘢 𝘤𝘰𝘮𝘱𝘭𝘦𝘴𝘴𝘪𝘵à 𝘥𝘦𝘭𝘭𝘢 𝘭𝘢𝘨𝘶𝘯𝘢 𝘥𝘪 𝘝𝘦𝘯𝘦𝘻𝘪𝘢, 𝘢𝘣𝘣𝘳𝘢𝘤𝘤𝘪𝘢𝘯𝘥𝘰 𝘵𝘶𝘵𝘵𝘪 𝘪 𝘴𝘶𝘰𝘪 𝘢𝘴𝘱𝘦𝘵𝘵𝘪 𝘶𝘮𝘢𝘯𝘪 𝘦 𝘯𝘰𝘯 𝘶𝘮𝘢𝘯𝘪?


Il Venice Climate Change Pavilion ha portato CE002, la Climate Entity 002 “You are a Butterfly until you don’t flap your wings”, come strumento a disposizione dei partecipanti e di tutti gli ospiti, umani e non, per comporre un terzo paesaggio sonoro composto dagli echi dei paesaggi scomparsi negli ultimi 10 anni a causa del cambiamento climatico.


&#38;nbsp;

“Mettere in discussione le premesse apparentemente indiscutibili del nostro modo di vivere è 
il più urgente dei servizi che dobbiamo ai nostri simili e a noi stessi”. /Z.Baumann/









PHOTOGALLERY 28-29.10.2023



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THE CURATORS //MAIN PARTNERS🐟

Venice Calls
🐟




A very special thanks to Francesca Guarnotta, Adrano Oggiano and all VeniceCalls team for bringing Climathon’s action in Venice.

&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="590" height="590" width_o="590" height_o="590" data-src="https://freight.cargo.site/t/original/i/45c51d610476bfe74f40ccaf09ce1e95d67c29d3b5dc0a163c50915fbc39529d/Venice-Calls-Logo-copia-b.png" data-mid="197291976" border="0" data-scale="28" src="https://freight.cargo.site/w/590/i/45c51d610476bfe74f40ccaf09ce1e95d67c29d3b5dc0a163c50915fbc39529d/Venice-Calls-Logo-copia-b.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;

</description>
		
	</item>
		
		
	<item>
		<title>Climate Change Action Theatre</title>
				
		<link>https://veniceclimatechangepavilion.cargo.site/Climate-Change-Action-Theatre</link>

		<pubDate>Mon, 02 Oct 2023 11:55:18 +0000</pubDate>

		<dc:creator>veniceclimatechangepavilion</dc:creator>

		<guid isPermaLink="true">https://veniceclimatechangepavilion.cargo.site/Climate-Change-Action-Theatre</guid>

		<description>&#38;nbsp;
HUMAN, YOU ARE INVITED&#38;nbsp;
imagine:// 24 September 23 / Oasi Dune Alberoni,Lido di Venezia // VENEZIA (IT)// Planet Earth


“The Shifting Sands of Reflection” is an AR sculpture created by the Venice Climate Change Pavilion specifically inspired by Camila Le-Bert's play "Mirror Mirror." This digital art piece spotlights sand as a symbol of climate migration and social inequality. As the play expands in the dunes, the digital sculpture floats above, refracting, reflecting and dimmering the existing landscape of Dune Alberoni. Using a 3D macro-photogrammetry of sand grains, the sculpture creates a third landscape made of mirrored images from the play, where characters are suspended on sandy shores, eat sand-covered berries, and thirst for freshwater. Sand, the essential matter for both skyscrapers and mirrors, becomes a metaphor.Each rotating sand grain refracts light, forming a mesmerizing floating dance. This embodies the ever-changing paradigm akin to life's unpredictability. “In shifting sands” in an idiom that reflects adaptability amidst life's uncertainties, emphasizing change as the only constant.



	
	

Cambiamenti di Rotta- Climate Change Theater Action 2023

Sunday

24 September 2023
from 10:00am / Oasi WWF Dune Alberoni


	


The World Festival of Theater against Climate Change: Climate Change Theater Action, launched in 2015 in New York and held every two years, has involved, in its past editions, thousands of artists who have created initiatives in every part of the world.

This year the fifth edition, inaugurated on 17 September, and also in Venice Cambiamenti di Rotta – CCTA 2023 curated by Giovanni E. Morassutti, offers an interdisciplinary event scheduled for 24 September which includes various proposals: sustainable maritime mobility transport on electric boats, art, music and interventions between digital art and science at the Dune degli Alberoni Oasis on the Lido of Venice, a natural environment rich in biodiversity managed by the WWF Venice and Territory on behalf of the Municipality of Venice.

The beating heart of the event is the staging on the beach of the play mirror mirror written by Camila Le-Bert and directed by Giovanni E. Morassutti with a series of performers including Donatella Cipolato, Marco Stizza, an actor from Padua with long theatrical experience in Latin America, Giovanni Boldrin and the young activist Lavinia Busetto, part of the environmentalist movement Extinction Rebellion who will play, within the show, a symbolic role of change and hope by interacting with Lianet Camara, a native of Central America who represents the rebirth of indigenous cultures .The involvement of activists in the show is also expected thanks to the participation of the Red Rebel brigade, a performance group with a strong emotional impact, part of the non-violent environmental movement, and the music is provided by the saxophonist Giorgio Schiavon and the double bass player Fausto Filippis.Many art forms and artists are involved, many of whom have chosen to share their art and professionalism for free, as a demonstration of a new paradigm that must soon arrive, in which money is not the first instance, but rather the common good, like Massimo Clemente who draws inspiration by instinctively interacting with the sand, the Emotion for Change collective, which brings together a group of musicians, artists and scientists who share the desire to communicate their enchantment and love for the symphonic beauty of nature, among including the violinist of the Fenice Sara Michieletto and the saxophonist Giorgio Schiavon, Shylock University Theater Center of Venice directed by Bianca Nardon founder of the well-known international competition Climate ChanCe who also actively contributed to the realization of the event favoring a series of synergies between Morassutti and the Venetians involved in the project, the Venetian Research and Innovation District with the third stage of the AquaGranda project and Venice Climate Pavilion which created the augmented reality work The Shifting sands of reflection available to the public and inspired digital AR sculpture inspired by the play by Chilean playwright Camila Le-Bert.



There will also be interventions by researchers and Climate Change experts at the Macondo kiosk such as that of Warren Cairns, CNR researcher and one of the spokespersons of Extinction Rebellion Lianet Camara, PhD in Cultural Heritage and Territory, who will talk about how the agricultural community of Ande is tackling the problem of climate change, and Paolo Faiola, Master's Doctor in Environmental Sciences, specializing in Ecology of Climate Change, loves to disseminate and raise public awareness on the topic through art, theater and play.

&#60;img width="1181" height="1670" width_o="1181" height_o="1670" data-src="https://freight.cargo.site/t/original/i/7d666c183eda415d6ffeda5836e0fd4d573773caa4ddfa7626e49c627b8727d8/descrizione-progetto-copia.png" data-mid="202625512" border="0"  src="https://freight.cargo.site/w/1000/i/7d666c183eda415d6ffeda5836e0fd4d573773caa4ddfa7626e49c627b8727d8/descrizione-progetto-copia.png" /&#62;

/ITA*“The Shifting Sands of Reflection” (“Le Sabbie Mobili del Riflesso”) è una scultura in Realtà Aumentata ideata dal Venice Climate Change Pavilion e ispirata all'opera “Mirror Mirror” di Camila Le-Bert. Quest'opera d'arte digitale interpreta la sabbia come simbolo chiave della migrazione climatica e dell'ineguaglianza sociale. Attraverso modelli 3D ingranditi di granelli di sabbia, l’opera crea un terzo paesaggio fatto di immagini riflesse della pièce, in cui i personaggi camminano sospesi su spiagge sabbiose, mangiano bacche ricoperte di sabbia e soffrono la sete per la mancanza d'acqua potabile. La sabbia, materia essenziale di creazione dai grattacieli agli specchi,nella sua forma più basilare, diventa una metafora.Ogni granello di sabbia in rotazione rifrange la luce, formando una danza di riflessi. Quest’idea incarna il paradigma sempre mutevole dell'imprevedibilità della vita. “Essere nelle "sabbie mobili” "è un modo di dire che riflette l'adattabilità nell'incertezza della vita, sottolineando il cambiamento come unica costante."







	


</description>
		
	</item>
		
		
	<item>
		<title>🌊🌊🌊ALLUVIONE EMERGENCY TOOLKIT 🌊🌊🌊 </title>
				
		<link>https://veniceclimatechangepavilion.cargo.site/ALLUVIONE-EMERGENCY-TOOLKIT</link>

		<pubDate>Wed, 23 Oct 2024 15:58:53 +0000</pubDate>

		<dc:creator>veniceclimatechangepavilion</dc:creator>

		<guid isPermaLink="true">https://veniceclimatechangepavilion.cargo.site/ALLUVIONE-EMERGENCY-TOOLKIT</guid>

		<description>&#38;nbsp;


CROCE ROSSA ITALIANA -&#38;nbsp; TOOLKIT PER EMERGENZE ALLUVIONE
https://effettoterra.cri.it/STEPS PER PREPARARSI PRIMA E DURANTE L’EMERGENZA ALLUVIONE


LINK UTILI:



🎒

🆘



COME FARE ZAINO/BORSA PER L’EMERGENZA (72h)

🆘

 
🎒




📞

NUMERO DI PUBBLICA UTILITA’ CROCE ROSSA&#38;nbsp;🚑️



⚠️️

ALLERTE METEO MAPPA PROTEZIONE CIVILE&#38;nbsp;⚠️️

 

⛑️

SITO PROTEZIONE CIVILE ITALIANA

⛑️

 








&#60;img width="1240" height="1755" width_o="1240" height_o="1755" data-src="https://freight.cargo.site/t/original/i/d771e92057f5e065ce9b7bf7565e388a826a27c216286b43468862a292db95df/ALLUVIONE_EFFETTO-TERRA_page-0001.jpg" data-mid="220204745" border="0"  src="https://freight.cargo.site/w/1000/i/d771e92057f5e065ce9b7bf7565e388a826a27c216286b43468862a292db95df/ALLUVIONE_EFFETTO-TERRA_page-0001.jpg" /&#62;
&#60;img width="1240" height="1755" width_o="1240" height_o="1755" data-src="https://freight.cargo.site/t/original/i/992368a042fd9f95a7c3b8277dea3de8ba64581289b253bf345287227fb80eab/ALLUVIONE_EFFETTO-TERRA_page-0002.jpg" data-mid="220204757" border="0"  src="https://freight.cargo.site/w/1000/i/992368a042fd9f95a7c3b8277dea3de8ba64581289b253bf345287227fb80eab/ALLUVIONE_EFFETTO-TERRA_page-0002.jpg" /&#62;


Realizzato dalla Croce Rossa Italiana, il Toolkit è divulgato qui per facilitare diffusione del materiale informativo durante l’emergenza per eventi alluvionali.





Lo scopo è facilitare la diffusione del materiale informativo ufficiale fornito dalla CRI e fornire i link utili designati (mappa allerte Protezione Civile, come fare un kit zaino di emergenza, numeri per le emergenze). Questo permette di avere il toolkit già aperto, convertito in jpg e avere i link in maniera efficace.
RISORSE UTILI (CRI Effetto Terra):https://effettoterra.cri.it/
PER DONARE CROCE ROSSA ITALIANA EMERGENZE NAZIONALI:https://dona.cri.it/emergenzenazionali/~mia-donazione?_cv=1



</description>
		
	</item>
		
		
	<item>
		<title>Invisible Atlas</title>
				
		<link>https://veniceclimatechangepavilion.cargo.site/Invisible-Atlas</link>

		<pubDate>Fri, 22 Apr 2022 15:05:10 +0000</pubDate>

		<dc:creator>veniceclimatechangepavilion</dc:creator>

		<guid isPermaLink="true">https://veniceclimatechangepavilion.cargo.site/Invisible-Atlas</guid>

		<description>000.Invisible Atlas - Power of Ten of Lagoon’s landscape 

000.Atlante della città invisibile

/ Salto di scale del paesaggio lagunare



Mappare le disgiunzioni, gli strappi, le veloci metamorfosi, le corrispondenze di un ecosistema naturalmente antropico.&#38;nbsp;
“È inutile stabilire se V. sia da classificare tra le città felici o tra quelle infelici. Non è in queste due specie che ha senso dividere le città, ma in altre due: quelle che continuano attraverso gli anni e le mutazioni a dare la loro forma ai desideri e quelle in cui i desideri o riescono a cancellare la città o ne sono cancellati.”(I.Calvino, da “Le città invisibili”).
Un atlante che raccoglie i frammenti della vita lagunare invisibile. Un diario attraverso la bellezza dell’ecosistema Venezia di cui vogliamo fare parte.



“It is useless to establish whether V. is to be classified among the happy cities or among the unhappy ones. It is not in these two species that it makes sense to divide cities, but in two others: those that continue through the years and mutations to give their shape to desires and those in which desires either manage to cancel the city or are canceled from it."(I.Calvino, from “Invisible Cities”)
Here you will find fragments of the Lagoon’s Invisible Life. A diary through the beauty of the ecosystem-Venice we want to be part of.&#38;nbsp;




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